Another incident which all young art-students infallibly put in their pictures of plagues is a child trying to suck from the breast of its dead mother; there it is in M. Delacroix’s picture, in the right-hand corner. Painting of The Massacre at Chios in a museum, Musee Du Louvre, Paris, France. Elizabeth Prettejohn suggests that the crisis in the Academy first became apparent in the Salon exhibition of 1824: "Ingres's The Vow of Louis XIII is pious and patriotic...Delacroix's Scenes from the Massacres of Chios, on the other hand, is modern and activist...In every aspect of pictorial style, too, the two pictures are starkly contrasted. In the final analysis Delacroix still depends more on his direct transcription of visual reality, even though this reality is provided by models costumed in a studio. It is said that Eugène Delacroix, two weeks prior the opening date, saw the picture and persuaded the judges to allow him to take his Massacre at Chios back from the display, to repaint the background in his colleague’s ‘careless’ manner. Interior of a chapel and Orthodox icons of the Byzantine of Nea Moni Monastery, Chios Island Greece. →. The Massacre at Chios 1824 Oil on canvas, 419 x 354 cm Musée du Louvre, Paris: A spectacular illustration of the enthusiasm aroused amongst the romantic youth by the revolt of the Greeks against the Turks, the Massacre at Chios was directly inspired by the savage Turkish repression of the population of the island of Chios in April 1822. (Frankfurt: Propyläen, 1977), 441-2. French writer Stendahl (Henri Beyle)  evaluated Delacroix’s Massacre at Chios when he saw it at the 1824 Salon: “With the best will in the world, I can’t admire M. Delacroix and his Massacre at Chios. First, it was exposed on the Salon (Paris). The Massacre at Chios (11 April 1822), 1824 by French painter Eugene Delacroix (1798-1863). “The Chios Massacre” is a time in infamy that many in the so-called modern world would like to conveniently forget. Important Notes About Your Painting: If you have any request to alter your reproduction of The Massacre at Chios (1) 1824, you must email us after placing your order and we'll have an artist contact you. Dr. Beth Harris and Dr. Steven Zucker provide a description, historical perspective, and analysis of Delacroix’s Scene of the massacre at Chios. Where Are We Going? Painting entitled 'Scene of the Massacre at Chios' by Ferdinand Eugene Victor Delacroix (1798-1863). The painting may be purchased as wall art, home decor, apparel, phone cases, greeting cards, and more. The characters in the painting are depicted, in their sufering, as casualties oF war. Important Notes About Your Painting: If you have any request to alter your reproduction of Massacre at Chios, you must email us after placing your order and we'll have an artist contact you. Stretched on canvas or printed as photo. All products are produced on-demand and shipped worldwide within 2 - 3 business days. Discussion 2 Massacre at Chios, by Eugene Delacroix is painted in rich, deep colors creating drama and emotion within the scene. It was in that year the Ottoman forces attacked the people of Chios and it is the horror and consequent suffering from this event that the painting depicts. 1 (Oxford: Oxford University Press, 1981), 87. Error! A Warning To Anyone Planning To Visit Chios. An anonymous contemporary critic writing in Le Mercure du Dix-Neuvieme Siecle (vol. Geburtstag, Lucius Grisebach and Konrad Renger, eds. I feel that if this picture is only mediocre it is because it errs on the side of excess and not insignificance…”. 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