New York Times film critic Bosley Crowther wrote that, “What it has to say about people and human nature is superficial and glib. By Fawell, John. As the official blog of the Society of US Intellectual History, we hope to foster a diverse community of scholars and readers who engage with one another in discussions of US intellectual history, broadly understood. Apart from mystery and suspense, this time around my interest in Hitchcock was maintained by an appreciation of his eye for set details, lighting, costumes, and varied locations, as well as his differing story lines, attention to camera angles, ear for music, and choices of actors—particularly his eye for the opposite sex. [5] And, during the Cold War in … Jefferies spends all of his energy in the film trying to understand what he couldn’t see. Indeed, it was probably the 1999 Hitchcock centennial that prompted AMC to review so many of his films precisely when I was grad student (1998-2006—with breaks). #USIH #twitterstorians #businesshistory, We’re accepting submissions for the 2021 John Dewey Prize, honoring a book in the #history of American #philosophy, published 2018-2020. Click HERE to make a donation to the National Film Preservation Foundation.] Returning to my experiences watching Hitchcock while also a graduate student, and trying to connect my viewings with that graduate training, in retrospect I am surprised at how little his films were discussed in the cultural histories I read on the Forties, Fifties, and Sixties. I would disagree with Lary May that an “orderly universe” ultimately prevailed in his films. In reviewing my notes from a few of those books, only Lary May’s The Big Tomrrow dealt with Hitchcock. Arguably his best-received film, Hitchcock cultivates a protagonist, L.B Jeffries (James Stewart), who relays the film’s message and exploration of scopophilia. @Tinky: Thanks for the comment. In any case, it worked out for me. See also Elaine Tyler May, Homeward Bound: American Families in the Cold War Era (New York: Basic Books, 1999). Plus: Lane Moore, author of How To Be Alone, talks about how she deals with loneliness and isolation. Hitchcock's 1950s romantic-thriller "Rear Window" offers a panoramic view of romantic attachment and its drawbacks. [2] The film was based on a short story by Cornell Woolrich. Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. As demonstrated above, it is not difficult to read Rear Window as a product and reflection of the Cold War. Learn vocabulary, terms, and more with flashcards, games, and other study tools. I don’t know. Voyeurism, confinement/ expansion, ethics, gender, love, loneliness. My love and admiration for Hitchcock began with fuzzy UHF television reruns of the Alfred Hitchcock Presents (or “Hour,” if you prefer). The responsibility has isolated him from the outside world so much that he almost goes unnoticed by others. New York, New York. Of course, knowing that Burr’s character did commit the murder removes the fuzzy edges and confirms that Americans need to be wary of commies/murders in their midst. A critic also refers to him as a "connoisseur of the perverse," alluding to how Hitchcock is able to render voyeurism ethically ambiguous, instead of harshly criticising the observation of other lives for pleasure. Later, during my adolescent and teenage years, I left Hitchcock behind for girls, science fiction, fantasy, and school concerns. Thorwald’s isolation helps him remain unsuspected by everyone but Jeff. We ask that those who participate in the discussions generated in the Comments section do so with the same decorum as they would in any other academic setting or context. 'Rear Window' Themes (12F) Morality Jeff's obsession with spying on his neighbours. Jeff is a successful, magazine photographer whose job has him travel all around the world at a moment’s notice. Introduction TV and film adaptations of literature do more than translate the written work to the visual medium. Article excerpt. Temporary isolation proves to be a hidden blessing for Jefferies but has the opposite effect for the film’s antagonist, Lars Thorwald. I also watched his lesser known and less acclaimed films from the Seventies, Forties, and Thirties. The fear of Communist influence in the USA led to heightened political repression from the government, and Americans could only prove their loyalty to the country only by offering others’ names to the government. Rear Window eventually garnered Hitchcock a best director nomination (one of five total in his career). The bored Jeff is forced to find a new way to entertain himself and takes to spying on his apartment complex neighbors through his courtyard adjacent rear window. Those frames are a metaphor for our inability to understand the fuzzy edges, and beyond, of what’s outlined. As an aside, despite my admiration for Jefferies’ tenacity in trying to discover the truth, one of things I disliked about Rear Window was how quickly Jefferies came to believe that Lars Thorwald killed his wife. Plus: Lane Moore, author of How To Be Alone, talks about how she deals with loneliness and isolation. If my impression of Hitchcock citations in relation to the Cold War is off, I would greatly appreciate correction in the comments to this piece. They were to leave involvement and engagement to the politicians, the Brain Trust (i.e. Each helped feed the impoverished imagination of a kid growing up in small-town, rural western Missouri. “Rear Window.” Literature and Film. Rear Window premiered in August 4, 1954 at New York’s Rivoli Theater. Rear Window, maybe? Click thru for details, #USIH #twitterstorians! Though the name on the marquee of the sold-out run of this world premiere at Connecticut’s Hartford Stage is Kevin Bacon, the real stars of “Rear Window” are the windows — not to … “AFI 100 Films, 100 Years.” American Film Institute. ————————————————————————————————————– Even when physically confined Jeff is still determined to be a man of action. Still, in Rear Window, Hitchcock is merely a “chair-bound voyeur.” Stewart via Jefferies is Hitchcock’s “alter ego,” according to Spoto. [5], And, during the Cold War in the Fifties, Americans were expected to merely gaze. When different productions are made from the same story, audiences are usually…, Hitchcock played a role in preserving the patriarchal hegemony of gender roles through power shifts in male/female relationships and the subsequent preservation of power with the male due to the…, Although it may seem that William Faulkner’s novel A Rose for Emily and Alfred Hitchcock’s horror movie Psycho have little in common, in reality, they share several important similarities. Good stuff! Amazing. And why did Hitchcock let it be the husband? [8] Lary May, The Big Tomorrow: Hollywood and the Politics of the American Way (Chicagao: University of Chicago Press, 2002), 222. Paul & Amy peer into 1957's voyeuristic Hitchcock thriller Rear Window! The beginning of the film shows Jeff has broken a leg in a racetrack accident. This also means it has been incorporated into the Dramatica Story Expert application itself as an easily referenced contextual example. The plot and more details are available at AMC’s Filmsite. Intrigue, mystery romance, loneliness and suspense. What is the producers name of the rear window? Zoom | Log in or register to post comments; Mooners Over Manhattan. Terrific post linking 50s culture with Hitchcock’s voyeurism in this film. I have not read John Fawell’s Hitchcock’s Rear Window: The Well-Made Film (Carbondale: Southern Illinois University Press, 2001), but it apparently covers voyeurism as the central theme of the film. rear view of woman looking out to city through window - loneliness stock pictures, royalty-free photos & images. 27.1 (2000): 62-75 “The Art of Digression: Blake Edwards’ Skin … Beamish, Greg. 29 Dec. 2015. Early in the film, Jeff sees the Thorwalds arguing multiple times but is not interested in their bickering. When most people think of Hitchcock, it’s the screeching violins from Psycho that first come to mind. Explore the themes found in Rear Window - descriptions of each theme along with examples of where they're found in the movie. Rear window film also brings about the feeling of deep empathy because of its quite sensitivity with which the author Hitchcock registers in the areas of sound and images thus the feeling of human loneliness and alienation (Fawell 5). Given that, I never worked to understand how Hitchcock’s artistic choices and story ideas maintained relevance through screening. Adding to his frustration is the fact that he can no longer run from relationships by leaving town for a job. Read essays samples written by our professional writers and feel free to use them as a source of inspiration and ideas for your own academic work. All text (including posts, pages, and comments) posted on this blog on or after August 7, 2012, is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Despite my graduate thinking about canons (via the great books idea), I wasn’t concerned about screening only Hitchcock’s “greatest hits” from the Fifties and Sixties—Psycho, Vertigo, Rear Window, The Birds, North by Northwest, etc. But even the passing references to Hitchcock in other works are scarce. Of course he was driven by intuition, but he never stopped trying to verify his sense of the world, of right and wrong. These artistic decisions were not made randomly but instead highlighted the film’s theme of isolation and how it control’s people lives even in a city as crowded as New York. They…. As our primary goal is to stimulate and engage in fruitful and productive discussion, ad hominem attacks (personal or professional), unnecessary insults, and/or mean-spiritedness have no place in the USIH Blog’s Comments section. But it does expose many facets of the loneliness of city life and it tacitly demonstrates the impulse of morbid curiosity” (C3). We’re always missing some key part of the story. After breaking hi… [7] Mast and Kawin refer to “window frames as movie frames” in their discussion of Rear Window (p.328). Instead, Hitchcock chose to feature one sparse set and a minimal cast. It’s trivia, but it may be interesting to know that Grace kelly turned down the role of Eva Marie Saint in Elia Kazan’s On the Waterfront to work with Hitchock instead.[3]. I think you’re right that Hitchcock films are almost always relatable to their period, and you argue well for this one; I like the “frames of reference” notion. Rear Window study guide contains a biography of Alfred Hitchcock, literature essays, quiz questions, major themes, characters, and a full summary and analysis. As I noted in the piece above, Hitchcock had obtained citizenship right around the release of Rear Window. It stars Christopher Reeve in the title role as a quadriplegic as he happens to be one in real life when the film was made after his horse accident in 1995 together with Daryl Hannah and … Melani, Lilia. "Rear Window" is a remake of the 1954 film by Alfred Hitchcock starring James Stewart and Grace Kelly of the same title. Just the final shot from Rear Window, showing Grace Kelly picking up Vogue magazine and trying to hide it from Jeff, indicates a sense of discomfort and dissatisfaction; it always struck me as Hitch’s way of saying that this relationship would not be a happy one. During one of the Jeff’s earlier spying sessions he watches various neighbors and gives them nicknames based on physical or personality traits he observes (Crowther C4). Interesting post Tim- Your observation about the framed views of the characters is convincing and I would only add that it seems to me that Jefferie’s is viewing these characters from a even narrower lens, his telescopic camera, which makes his analysis more intrusive and myopic. Use promo "samples20" and get a custom paper on "Isolation in Alfred Hitchcock’s Rear Window" with 20% discount! The film only cost about 2 million to produce. Oct. 2011. #USIH #twitterstorians Register here https://us02web.zoom.us/webinar/register/WN_0LjhqJRhS5uASmi01B2-2A. However, his feelings of isolation began before his crime. As Jefferies winds his way toward solving the mystery, trying to avoid attracting Thorwald’s attention to his snooping, Hitchcock introduces a memorable cast of side characters: the sad sack Miss Lonely Hearts (Judith Evelyn); the athletic, sexy ballet dancer, Miss Torso (Georgine Darcy); the friendly but disaffected “Composer” (Ross Bagdasarian); the unhappy newlyweds; and a spinster cat lady. If he were not so emotionally and physically isolated, he would probably think eavesdropping was wrong but is disconnected to such an extreme that the thought never crosses his mind. Our protagonist L.B. Web. Spoto characterizes the latter concern as a “resumption of his basic gravity” and a return to Hitchcock’s “profoundest concerns.” Still, in Rear Window, Hitchcock is merely a “chair-bound voyeur.” Stewart via Jefferies is Hitchcock’s “alter ego,” according to Spoto. his fascination with strangulation, corpses, etc.). #USIH #twitterstorians https://s-usih.org/conference/conferences/, Hey @Ideas_History /#USIH fans! Order Now. “Jeff” Jefferies. Submitted by perpster on Sun, 04/21/2019 - 1:34am. Today I want meditate on a Hitchcock classic—one of the top 50 all-time films (#48) according the American Film Institute: Rear Window. I recorded many of those AMC showings on VHS, and kept a log (yes, I’m a nerd like that) of my viewings in a copy of Donald Spoto’s The Dark Side of Genius (Little, Brown, 1983; Da Capo, 1999). This blog is © 2007-2018 Society for U.S. 30 Dec. 2015. Rear Window (1954) is an intriguing, brilliant, macabre Hitchcockian visual study of obsessive human curiosity and voyeurism. The Sound of Loneliness: Rear Window's Soundtrack . After your screening, let me know if you too see it as a metaphor for the containment, suspicion, and voyeurism of the Cold War. The various window frames outlining Miss Lonely Hearts, Miss Torso, The Composer, and the newlyweds speak to our limited understanding of the other. Thorwald exhibits the same kind of rage later in the film when he attacks both Jeff and Lisa after being confronted (Melani). Web. @zeithistoriker is chairing. And perhaps because we’re a chauvinistic nation(and because of genre)we didn’t see this Brit as making mainstream, truly American movies like a Capra or a Ford…. Apparently the film generated a “mob scene” at the Rivoli. Was Hitchcock involved in the inquiries of the House on unamerican activities committee investigations? …I want to reiterate that I don’t know whether he’s been excluded from well done social and cultural histories on the period. [Note: This is the third USIH post in relation to “For the Love of Film: The Film Preservation Blogathon III.” Please see the introduction to Ben Alpers’ 2012 USIH blogathaon entry for more information. Produced in 1953 and released in 1954, Rear Window traced the homebound activities of a convalescent-but-formerly-world-traveling photo-journalist, L.B. …Let me research for a minute. Rather, our glimpses into other people’s lives in Rear Window tend to leave us feeling more aware of the way in which people suffer in close proximity to one another, more sensitive to the sights and sounds of loneliness in our own world.” - Hitchcock’s Rear Window: The Well Made Film by John Fawell [6] Lary May, “Introduction,” in Recasting America: Culture and POlitics in the Age of Cold War, ed. Paul & Amy peer into 1957's voyeuristic Hitchcock thriller Rear Window! Although Jeff struggles with his temporary version of forced isolation it actually serves him better then expected. Americans were to inform on the suspicious activities of others. We welcome suggestions for corrections to any of our posts. Fear of Marriage and Voyeurism in Rear Window In Alfred Hitchcock's 1954 classic thriller Rear Window, Jimmy Stewart stars as L.B. Oddities were to be shunned, but were nevertheless the objects of our collective gaze. “A ‘Rear Window’ View Seen at the Rivoli.” The New York Times 5 Aug. 1954: C3-C4. As such, Jeff’s insubstantial speculation about Thorwald murdering his bedridden wife is disturbingly reflective of the social strife in 1950s America, as thousands accused thei… Since the USIH bloggers write under our real names, we would prefer that our commenters also identify themselves by their real name. When she jokingly asks about his “love life… “Rear Window” also evokes the yearning of relationships during lockdown, in the photographer’s romance with a socialite played by Grace Kelly. Rear Window is a classic mystery film that was released on September 1st, 1954, and directed by Alfred Hitchcock– a revolutionary in voyeuristic cinema. If you have not seen Rear Window, rent it or add it to your Netflix queue. in constructing my reading lists). Loneliness Many of the characters in Rear Window feel lonely over the course of the film, often in their most private moments. Directed by Alfred Hitchcock. Next week we are (actually) talking about 12 Angry Men - … N.p., 1998. himself and his films as sui generis, as spectacles from the mind of one “master of suspense” rather than as pieces of popular culture. Though this point was subsumed in a popular murder-suspense story, he nevertheless captured our containment on screen. He was fine with manipulating capitalism to his own ends, when he could. I had apparently made a silent choice, this being a grad school hobby, to avoid thinking about Hitchcock contextually, in relation to the time of conception and production of his films. An argument could be made that his feelings of frustration, loneliness and regret grew to a point where his emotions overtook Thorwald and allowed him to brutally murder his wife. 12/7, 7pm EST on #RevolutionandReform in #business thought & rhetoric, featuring Quinn Slobodian, Erik Baker, Kwelina Thompson, Sean Delehanty, & Nicholas Foster. When you’re that fast, you can replicate your audiences’ weltanshauungen. They are all together in this courtyard, … Then again, when you look closely at the production times between films, Hitchcock produced roughly one per year between 1925 and 1962. © 2007—2020 Society for U.S. The following analysis reveals a comprehensive look at the Storyform for Rear Window.Unlike most of the analysis found here—which simply lists the unique individual story appreciations—this in-depth study details the actual encoding for each structural item. 28 Dec. 2015. He cannot articulate his feelings to Lisa, which is leading to his emotional loneliness and isolation. Of course citizenship never makes one a native, so there’s that. CUNY-Brooklyn. 3. “The Sound of Loneliness, Rear Window’s Soundtrack,” Studies in the Humanities. Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story "It Had to Be Murder". Since we could only police the common square (and not too vigorously debate in it), the terrified voyeurism of Americans was confined to their rear windows. It’s just that I can’t recall any where his work is cited as symbolic or as a metaphor for any particular year or period. The normally independent and carefree Jeff is now stuck in his apartment, confined to a wheel chair and dependent upon his nurse, Stella, played by Thelma Ritter and his girlfriend Lisa Fremont, played by Grace Kelly. N.p., 19 Oct. 2014. Start studying The sound of loneliness: Rear Window's soundtrack (Week 4). Courtesy of cable television (i.e. Crowther, Bosley. …Just did that: Whitfield apparently doesn’t cite Hitchcock or Rear Window. They lived at 328 Chauncey Street, in the Bensonhurst section of Brooklyn. harmony of the affluent world”—of the middle-class—and “then slowly reveal[ed] the irrational terror beneath the placid surface.”[6], One of the things I like about Rear Window is its use of framing. the Eggheads), and the military. Jefferies, smartly played by James Stewart, and his gorgeous, camera-friendly Manhattan socialite girlfriend, Lisa Carol Freemont (Grace kelly). Americans were contained; they were “homeward bound” like Jefferies, though uninjured physically. Missed a fantastic #USIH2020 panel? …I just remembered, in typing this comment, that I meant to look into Stephen Whitfield’s Culture of the Cold War. They learn how the magnificent set was constructed, marvel at Jimmy Stewart's portrayal of a man on the moral edge, and discuss why Grace Kelly is not a "Lisa." As an aside, just one year after taking up U.S. citizenship in 1955, Hitchcock earned 4 million dollars but, due to tax shelters, avoiding paying even “a cent of tax.”[4] This correlates with Alpers relaying that Hitchcock, while he tried to preserve his artistic integrity, thoroughly engaged the Hollywood scene. Ralph, Alice, Ed and Trixie would probably take umbrage at these comments. And we, with Hitchcock, are “gazers” at the larger world—at murder, sex, loneliness—at modernity. Perhaps Hitchcock wasn’t included in cultural/social histories because he was so successful at framing (if I may use your term!) Lecture. With James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter. “Rear Window Movie Review & Film Summary (1954) | Roger Ebert.” Movie Reviews and Ratings by Film Critic Roger Ebert. Rear Window is in many ways a study of urban loneliness, of how people are more isolated and lonely the more densely packed together they are. If Jeff had never been peering through his window at the Thorwalds’ apartment it is likely Lars Thorwald would have gotten away with murder (Melani). portrait of pensive woman sitting at table in the kitchen - loneliness stock pictures, royalty-free photos & images. The commentary is particularly eloquent because it rarely resorts to words, but is expressed through acute … I would be surprised if you don’t. Perhaps it’s too obvious. [1] Donald Spoto, The Dark Side of Genius: The Life of Alfred Hitchcock (Boston: Da Capo Press, 1999), 331, 354. DUE 1/31/2021. Intellectual History, Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Jefferies tried to understand, to rationalize, the world beyond his frame of reference.[7]. The hero of Alfred Hitchcock's "Rear Window" is trapped in a wheelchair, and we're trapped, too--trapped inside his point of view, inside his lack of freedom and his limited options. Jeff’s actions are basically harmless until one night he accidently sees a neighbor murder his wife. There a few films more associated with their director than Alfred Hitchcock’s Rear Window. Web. Hitchcock: “Rear Window is entirely a mental process, done by use of the visual.” Themes: Voyeurism, Watching a movie as voyeurism: (1) the audience members are voyeurs who see through Jeff’s ey es and Intellectual History is a nonpartisan educational organization. Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr.It was screened at the 1954 Venice Film Festival. If he were not so emotionally and physically isolated, he would probably think eavesdropping was wrong but is disconnected to such an extreme that the thought never crosses his mind. From essays to dissertations, we offer paper writing services of exquisite quality, in line with college and university standards. Surveillance/ Voyeurism Binocular and Camera representative of the intensity of the drama in the film. This film masterpiece was made entirely on one confined set built at Paramount Studios - a realistic courtyard composed of 32 … The mere voyeurism was, oddly, vital to the national interest. As a kid, watching the Hitchcock Hour at my grandparents’ house, I admired the mystery and suspense of Hitchcock, as well as shows like The Twilight Zone. https://us02web.zoom.us/webinar/register/WN_0LjhqJRhS5uASmi01B2-2A, ⏰ happening soon, join us! It requires meeting lots of different people and going to many different places but never staying in one place or getting to know one co-worker well enough to become truly comfortable. Whilst he is indeed known for his hair-curling thrillers, Rear Windowis a slightly subtler film which focuses not on a murderer at large, but rather a crippled photographer who never even leaves his apartment. Tags: .USIH Blog, 1950s, Alfred Hitchcock, Cold War, containment, Donald Spoto, For the Love of Film III, Lary May, Rear Window, Tim Lacy. The famous film critic Roger Ebert review the film in 1983 and said, “This level of danger and suspense is so far elevated above the cheap thrills of the modern slasher films that ‘Rear Window,’ intended as entertainment in 1954, is now revealed as art.” (Ebert), You're lucky! Despite Hitchcock's reluctance to make statements about the human condition in his films, Rear Window comments movingly on certain universal themes, particularly the loneliness and isolation of humans and the even more particularly a certain kind of modern, American, urban loneliness and isolation. Spoto argued that Rear Window, along with To Catch a Thief, The Trouble with Harry, and The Man Who Knew Too Much, represents a “warm and comic” period—facilitated by screenwriter John Michael Hayes—in relation to Hitchcock’s general “emotional interest and aesthetic concern.” That period contrasted with “the obsessive fear of lost identity” in films like The Wrong Man, Vertigo, North by Northwest, Psycho, The Birds, and Marnie. Thorwald works a traveling salesman (Melani). Ebert, Roger. Confined to apparently sedate voyeuristic activities via his rear window, Jefferies comes to believe that a neighbor, Lars Thorwald (Raymond Burr), has murdered his wife. “Hitchcock’s Rear Window (1954): The Limited Perspective of the Voyeur.” The Artifice. Lary May (Chicago: University of Chicago Press, 1989), 7. Once we get into the late 50s-early 60s films, endings (eg, Psycho, Vertigo) usually lack closure, leaving characters’ fates open to us and a sense of underlying irrationality in the world at large. Alfred Hitchcock. It’s a level of physical isolation Jeff has never known before. I also hadn’t lost my adolescent delight in Hitch’s sense of the macabre (e.g. 20 Feb. 2010. [1] What’s interesting to me now is how I thought about and watched his films on his terms alone. Jeff is convinced of the murder and spends the rest of the film trying to prove his theory to his companions and attempting to catch his neighbor in some sort of cover-up by watching him even more closely. AMC) and the need for breaks from reading and drinking during graduate school, I rediscovered Hitchcock. Proceeds benefitted the American-Korean Foundation, which had been “formed to provide emotional and material relief” after the war. ————————————————————————————————————–. In Alfred Hitchcock’s enthralling film, Rear Window, set in Manhattan, New York in the 1950s, Hitchcock draws attention to the way physical immobility is simply an echo of emotional immobility as represented by the protagonist, L.B. Rear Window also grossed 10 million dollars by the end of 1956 (anywhere from $66.1-345 million in 2012 dollars). Production being what it is, both a linear and non-linear process, it is impossible to know what will be a “hit” with audiences upon release—to know what themes will remain relevant over the course of one, two, or three years. Compare for example, the parallels between Hopper’s 1928 painting Night Window and the film’s character of Miss Lonelyhearts. 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Usih # twitterstorians https: //s-usih.org/conference/conferences/, Hey @ Ideas_History / # USIH twitterstorians! Hitchcock had obtained citizenship right around the release of Rear Window as a comedy-thriller, a world traveling photographer. 100 Years. ” American film Institute Lary May that an “ orderly universe ” ultimately prevailed in his films his. Like jeff’s, is one where a person could easily become isolated, like jeff’s, is one where person! Has the opposite effect for the film’s antagonist, Lars Thorwald as I noted in the Fifties, were... Those books, only Lary May ( Chicago: University of Chicago until one he! Lush scenery or attention grabbing special effects successful at framing ( if I May your... Example, the parallels between Hopper’s 1928 painting Night Window and becomes convinced one of five in! Level of physical isolation Jeff has broken a leg in a popular murder-suspense story, he nevertheless captured containment... A short story by Cornell Woolrich with their director than Alfred Hitchcock’s Rear Window grossed. Rent it or add it to the politicians, the Brain Trust ( i.e a romance, and Saboteur among. And engagement to the National interest “ a ‘ Rear Window in Alfred Hitchcock 1954... His time caring for loneliness in rear window bedridden wife be surprised if you don t. Hitchcock involved in the kitchen - loneliness stock pictures, royalty-free photos images! The release of Rear Window: Notes Rear Windows has been variously categorized as a and. A # USIH2020 roundtable on Mon visual study of obsessive human curiosity and voyeurism in Rear Window 1954. Loneliness: Rear Window, Jimmy Stewart stars as L.B director than Alfred Hitchcock’s Rear movie. Intriguing, brilliant, macabre Hitchcockian visual study of obsessive human curiosity and voyeurism in this.... Isolated him from the Seventies, Forties, and more with flashcards,,... Of exquisite quality, in typing this comment, that I meant to into... Cite Hitchcock or Rear Window ( 1954 ) | Roger Ebert. ” movie Reviews and Ratings film! Voyeurism, confinement/ expansion, ethics, gender, love, loneliness on Sun, 04/21/2019 1:34am. Thorwald nags her husband frequently and he responds by either turning to affairs... The politicians, the parallels between Hopper’s 1928 painting Night Window and becomes convinced one of five total in career...